OUTBOARD
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zzgl. Steuern: 1.037,82 € Inkl. Steuern: 1.235,00 €zzgl. Versandkosten500 SERIES PULTEC-STYLE EQUALIZER Erfahren Sie mehr -
zzgl. Steuern: 3.259,66 € Inkl. Steuern: 3.879,00 €zzgl. Versandkostenleer Erfahren Sie mehr -
zzgl. Steuern: 1.511,76 € Inkl. Steuern: 1.799,00 €zzgl. Versandkosten1-Kanal Equalizer
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zzgl. Steuern: 1.091,60 € Inkl. Steuern: 1.299,00 €zzgl. VersandkostenGPADI - 1-Kanal Germanium Preamp/DI
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zzgl. Steuern: 1.511,76 € Inkl. Steuern: 1.799,00 €zzgl. VersandkostenChandler Germanium Kompressor, Mono Kompressor/ Limiter auf der beliebten Germanium Basis mit Dry-Wet Mixer und Com Curve Funktion Erfahren Sie mehr -
zzgl. Steuern: 933,61 € Inkl. Steuern: 1.111,00 €zzgl. VersandkostenPre Amp/DI Erfahren Sie mehr -
zzgl. Steuern: 999,16 € Inkl. Steuern: 1.189,00 €zzgl. Versandkosten -
zzgl. Steuern: 999,16 € Inkl. Steuern: 1.189,00 €zzgl. Versandkosten -
zzgl. Steuern: 4.705,04 € Inkl. Steuern: 5.599,00 €zzgl. VersandkostenPassiver Stereo 4-Band Röhren-EQ
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zzgl. Steuern: 5.545,38 € Inkl. Steuern: 6.599,00 €zzgl. VersandkostenPassiver Stereo 4-Band Röhren-EQ, Mastering-Version
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zzgl. Steuern: 1.889,92 € Inkl. Steuern: 2.249,00 €zzgl. VersandkostenReferenz-Channelstrip
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zzgl. Steuern: 1.234,45 € Inkl. Steuern: 1.469,00 €zzgl. VersandkostenOCL-500 Specifications
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Format: API® 500 series standard, fully compatible
Input Impedance: 20K!, balanced
Output Impedance: less than 50!
Max. Output Level: +27dBu, balanced
Threshold: off to 20dB of gain reduction at +4dBu
Ratio: 1.5:1 to 15: 1, soft knee
Output: Off to +20dB of makeup gain
Max. Gain Reduction: 27 dB
Frequency Response: +/- 1 dB from 10Hz to 95kHz
Noise Level: better than 78dB below +4dBu, 0-30kHz
Total Harmonic Distortion: less than 0.01% with no compression
Time Constants
Position Type Description
F Fast Peak-averaged by the opto-cell
A Average RMS response
V1 Vintage 1 Three-stage multi-slope (auto)
V2 Vintage 2 Slower three-stage multi-slope (auto)
M1 Manual 1 Medium attack, medium release
M1 Manual 2 Slower attack, slower release
Average and Vintage 1 are the presets in the Quartet.
Vintage 2 is the Vintage preset in the Quartet II.
M1 and M2 are manual attack and release settings
often used in the OCL-2. -
zzgl. Steuern: 3.049,58 € Inkl. Steuern: 3.629,00 €zzgl. Versandkosten- Fast electrooptical input attenuator with an all tube signal path
- Softknee design with fully adjustable compression ratio
- Transformerless high voltage class A signal path
- Low noise, wide bandwidth and superior transient response
- Custom optical cells matched for precise stereo balance
- Three sidechain operating modes: Fast, Presets and Manual
- Two completely independent channels with stereo linking
- Hard bypass switches for each channel
- Sidechain inserts for frequencydependent compression and deessing
- Transformerless output stage capable of delivering +35dBu
- Softstart warmup with output muting
- Goldplated switch contacts, I/O connectors and tube sockets
- Fully regulated high voltage (300V), filament and bipolar power supplies
- Custom toroidal power transformer with shield for minimum hum
- Polypropylene capacitors and metal film resistors
- Singlesided audio pc boards to minimize capacitive interaction
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zzgl. Steuern: 5.007,56 € Inkl. Steuern: 5.959,00 €zzgl. VersandkostenThe Quartet II is not an update nor a replacement for our very popular Quartet, but complementary unit that incorporates a substantially different combination of elements. Designed with the input of Fletcher of Mercenary Audio, many additional options have been provided to tailor the texture of the audio character for maximum musical flexibility.
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zzgl. Steuern: 3.814,29 € Inkl. Steuern: 4.539,00 €zzgl. Versandkosten
Erfahren Sie mehr- Classic feedback compression with the same compression profile as the Fairchild 660 and 670
- The 6386 uses the same gain control tube (remote cutoff triode) as the Fairchild 660 and 670.
The ES-8 uses a more readily available (and less expensive) tube
with the same compression characteristics as the 6386.
In all other aspects, the two units are identical. - Modern class A, solid-state gain make-up stage for wide bandwidth and low distortion
- Soft-knee design with smooth transition from compression to limiting
- Fast attack (0.5ms) and release times ideal for tight program compression or tracking
- Low noise and superior transient response
- Three sidechain operating modes: Fast, Presets and Manual
- Two completely independent channels with stereo linking
- Tubes calibrated for precise stereo balance
- Hard bypass switches for each channel
- Sidechain inserts for frequency-dependent compression and de-essing
- Transformerless balanced output stage capable of delivering +27dBu
- Soft-start warm-up with outputs bypassed until all voltages are stabilized
- Gold-plated relay contacts, I/O connectors and tube sockets
- Fully regulated high voltage (250V), filament and bipolar power supplies
- Custom toroidal power transformer with shield for minimum hum
- Polypropylene capacitors and metal film resistors
- Limited production, hand-built product
